2014 – 2017
Nomadic school | social practice
“The Academy of Arts and Crafts Electronic thus became a participatory space connecting art from displaced circles of art, reclaiming traditional crafts and knowledge, and for people who make noise for the simple fact of existing.”
2013
Pixelache Fest, Helsinki. Finland
“The machine to share secrets Helsinki, is an art action and a poetic reinterpretation about new control technologies and the mediation of social communication.”
2021 – 2022
Laboratory Transfeminist about speculation, fiction, symbiosis, cyborgs and tarot creation.
“The Oracle of the Evil Cyborg is a tool for creation, for collectively thinking about other worlds and possible futures on a journey that seeks individual and collective realization, constant “evolution” in the physical, spiritual, virtual, technological, terrestrial, extraterrestrial, and our ecosystem.”
2021
#transtechnofeminism
“Cycle of transtechnofeminist sessions to program the obsolescence of patriarchy and short-circuit the cis-theme”
2021
Part of Lab kill Lab, concept of Shu Lea Cheang. Taipei, Taiwan.
“Collective hack work-station from trans-techno-feminist perspectives led by Constanza Piña [CL-MX], CHANG Yen-Tzu [TW] and LIAO Hai-Ting [TW] (printednoise_lab)”
2021
Post-Gender Fashion Technology Design Laboratory and Multimedia Performance with Les FantastiquEs: transgender sex worker community of Santa fé, Bogotá Colombia.
“Our transition stories cross the border between reality and fantasy. This is an invitation to experience a planetarium from another planet, to discover the world of Les FantastiquEs and all its stars, paying homage to the diversity of the Santa Fé neighborhood.“
2019
Multispecies Poly-Intimacies Wearing Laboratory
“Cosense is a multispecies poly-intimacies weaving practice. A collaborative work of togetherness holding multiple space_times. A space insisting in co.creation as a mode for caring and creating in plural form. A training on dying as a life-art practice.“
2019
Experience of collective thinking, installation and urban intervention.
“A society should be judged not by its statistics, but by its sounds, its art, and its festivities. By listening to the sounds, we can discern the direction in which the madness of people and figures is leading us, and what hopes still remain…” Jacques Attali
2013 – 2015
Grrrls in Noise & Witchcraft electronics
“A sisterhood of women who practice technomagic and sonic alchemy. They gather secretly every so often for a sabbat where they cast noisy spells and incantations, reclaiming their ancestral feminine knowledge, hidden forces, and subversive powers through ceremonies of technical disobedience and electronic witchcraft.“
2019 – 2020
Experiment with sound through electronic media. Mexico
“HMQ seeks the generation of their own tools, means and instruments to produce sound, from a Latin American reality and through the experience of inhabiting bodies cataloged as feminine, abject and monstrous. We are an entity of sonorities. We are Hybrids, Mosaics and Chimeras.“
2022
A Residency at the Fab Lab. Guayaquil, Ecuador
“Radio was heard before it was invented. Spectral frequencies and phenomena from mysterious sources have been experienced throughout human history and are a sign of our sensitive existence in total connection with the environment, our planet, the cosmos, and beyond. We are antennas.“
2023
Escuela de Artesanías Electrónicas y Oficios Eco Tecno Feministas. Reserva Natural La Dicha, Colombia
“La Escuela de Artesanías Electrónicas y Oficios Eco Tecno Feministas es un proceso de aprendizaje colectivo, participativo y colaborativo enfocado en la relación entre la naturaleza, la cultura y la tecnología.”
2016
Diseño de trajes interactivos y performance multimedia
“La creación de contenidos audiovisuales-radiofónicos y la exploración gráfica, generara una mirada heterogénea de la lucha libre y de lo que constituye una experiencia de ring a partir de sus componentes de “realidad” y “fantasía”.“
2022
Workshop and collective performance
“For the MoF festival ALB has invited more than 40 international Berlin-based women/ FLINTA* – artists, scholars from sciences and humanities and cultural producers in art, science and technology from both the Global North and the Global South – to collectively develop various CLUSTER groups and activities.”
